A moor is not a mountain VIII Paula Dunn oil and cold wax artist and field boundaries

and field boundaries

where ancient field systems nestle within expanses of heathered moorland

and movement—allowing the painting to evolve as naturally as the land itself

Due to the size of this print

shaped by place

A moor is not a mountain VIII Paula Dunn oil and cold wax artist and field boundariesIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive